To actually export a still, put your playhead on the frame you want to export this can be in the Timeline or the Event Browser. (Uncheck this if you plan to import the still into another video project.) I recommend against saving images as JPEG because of the lower quality JPEG contains.īe sure to leave Scale Image to Preserve Aspect Ratio checked if you want the images to look good on a computer. I used to recommend TIFF, which is still a good choice. Select Save Current Frame on the left and set it to the file type you prefer. NOTE: Duplicating and renaming settings is the method to use when you want to set up multiple YouTube or Vimeo accounts, for example. Right-click an icon to rename, duplicate, or delete a setting. In fact, you can rearrange the list on the left by dragging icons. (Your screen may look a bit different from mine, because I’ve changed the list on the left prior to writing this article.)ĭrag Save Current Frame from the list on the right to the list on the left. On the right are additional destination options. On the left are all the active destinations. ![]() ![]() NOTE: A Destination is both a compression setting and a place to send/save a file.Ī new Preference tab is displayed (you can also get here from Final Cut Pro > Preferences). It is now this blue button on the far right of the Toolbar and in the File menu ( File > Share).Ĭlick the Share button (or select File > Share) and a list of potential export locations is displayed. This is the only tricky part, because exporting still frames is not a default. The method we use to export still frames also changed and I like the options in this new version better, but it is a bit harder to find. (Again, you can’t change the speed of a still frame.) At this point, you can treat it just like any other connected clip – including changing its duration, moving its position, adding transitions, color grading, or effects. Instantly, the still frame appears as a connected clip at the position of the playhead in the Timeline. (You could also use the Edit menu, but making sure a playhead or skimmer doesn’t move out of position becomes trickier.) Next, put your playhead, or skimmer, on the frame in the Event Browser that you want to freeze. Still frames created from the Event Browser are even more flexible.įirst, put your playhead in the Timeline where you want the freeze frame to appear. Once the still image is created, you can trim it, add effects, or do anything else with it that you can do with a clip except, that is, change its speed. You can change this in the Editing tab of Final Cut Pro > Preferences by adjusting the Still Images setting. NOTE: All freeze frames default to a four-second duration. (I’ve highlighted it here so you can see it.) Instantly, a new clip is inserted at the position of the playhead into the Primary Storyline: a four-second freeze frame. To create a still frame in the Timeline, put the playhead on the frame you want to freeze.Ĭhoose Edit > Add Freeze Frame, or type Option+F. We can create still frames in the Event Browser or the Timeline. Also, freeze frames can be moved anywhere in a project, while Hold frames are trapped inside the clip from which they were created. Hold frames have a built-in ease-in/ease-out speed transition that often distracts from the actual freeze itself. The benefit to still frames is that, unlike Hold frames, they just stop. ![]() (These are also called “freeze frames,” I use these two terms interchangeably.) In this Final Cut Pro training, we will look at how to create and export still frames, which changed with the 10.0.6 update to Final Cut Pro X.
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